Twinkles [Short Story]

  • WARNING: NOT FOR THE FAINT-HEARTED. ‘Tinkerbell’ meets ‘Tales Of The Unexpected.’ I don’t think ‘Writing Magazine’ wants me to enter any more adult fairy story competitions.

IT WAS, indeed, a sign of the times that even the fairies had resorted to theft.

Jan had collapsed at the first sniff of the magic dust, but Twinkles had reckoned without him falling across the doorway. The big oak door wouldn’t budge with three hundred pounds of bodybuilding Dutchman lying unconscious in front of it.

Jan, despite his fluttering assailant’s best efforts, wasn’t moving. Brute strength was never going to work. Twinkles was just two inches tall and Jan was a mountain. Also, Twinkles didn’t really know any proper magic, certainly nothing she could use in a situation like this. Twinkles had skipped fairy school far too often to learn anything more than the basics.

In fairness, she made a spectacular blend of fairy dust which had won her prizes at the Great Summer Fete, an event organised in her home town every year. Very popular the Fete had been too, right up to its ill-fated final year when it had been tragically razed to the ground by an inebriated dragon.

Now, thoughts of the Fete took Twinkles back to a dark place, a place where a hopeful young fairy’s life had been destroyed forever. Twinkles’ mother had been cruelly taken from her whilst innocently exhibiting chutney. Twinkles remembered hovering there, wings beating uselessly in the breeze, watching as the marquee went up like a firework in the savage, all-consuming furnace of a dragon’s burp.

As well as the fairy dust Twinkles could also, by twitching her nostrils, turn almost any potato into a hamster.

Twinkles bitterly regretted her magical limitations now. Her friend Dingle Dangle could have made Jan disappear with a flick of her wand. Piff Paff could have levitated him. Geoff could have passed straight through the door like a ghost.

Geoff didn’t have a fairy-sounding name like the other fairies.

But her friends weren’t there to help Twinkles now, and weeks of meticulous planning had ended in failure. She wouldn’t be able to pay Lamulax the Demon King his rent when he came calling, and he’d unleash his hounds on her.

Jan, regaining consciousness, interrupted Twinkles’ train of thought with a sudden grunt. Jan saw Twinkles spinning before his eyes, recoiled in terror and confusion, and lashed out clumsily in self-defence. It was futile. She was too fast. Jan took a desperate swing at his tiny, shiny nemesis, missed her completely, and tripped over his own feet, falling headlong down a nearby staircase.

Indifferent to the fate of the once more poleaxed Jan, Twinkles turned the door handle and entered the study.

Moonlight from the window behind Twinkles flooded the room. The diamonds spread across the antique mahogany desk reflected the moonbeams back at her. The gems sparkled seductively. Twinkles knew that her victim had planned to work into the night. She had timed it so well.

Markus Grunhild was slumped across his desk, fingers still touching the tumbler of brandy poured from the decanter Twinkles had drugged that morning. Presuming Grunhild had passed out during his first drink, which he would have poured – creature of habit as he was – at eight pm, he would have swallowed enough tranquiliser to keep him out for maybe an hour. The grandfather clock in the study was striking nine. Twinkles didn’t have long.

Oh no. Grunhild had fallen, head down, over the diamonds. Twinkles saw his fingers twitch. He was waking up and she’d have to act quickly.

Twinkles had first noticed Grunhild on a sunny morning two months ago when he’d flashed a smile outside one of Amsterdam’s most exclusive banks. Twinkles had seen the words ‘M. Grunhild’ stencilled in golden calligraphy on the expensive attaché case, eavesdropped on Grunhild telling a giant companion called Jan about a ‘consignment from Dubai’ and plans for a ‘secure inspection.’

Grunhild had stepped into an armoured vehicle with a silver briefcase handcuffed to his wrist. It was easy for the tiny fairy to follow the vehicle unobserved to its destination, a mansion cum fortress in the suburbs. No expense had been spared in equipping the premises with the latest high-tech security features. For any intruder to break in unnoticed they would need to be invisible or extremely small.

Small.

Like Twinkles.

Twinkles had learned more online at one of Amsterdam’s internet cafes, hopping from key to key, googling Grunhild. The man was a world-renowned authority on diamonds. The bank regularly brought him in from his office in Bremen, Germany, to value gems. This latest set was from Nigeria with an estimated value of more than five hundred and seventy million Euros.

Back in the present, Grunhild woke to find his arms and legs bound tightly to a chair. As he moved his head and upper body from the desk, Twinkles tugged hard on the cord she’d secured around his shoulders, snapping Grunhild upright.

As ghastly a surprise as this was for Grunhild, it was little compared to the sight of a firefly of strangely human appearance dancing malevolently in front of him. It was time for Twinkles to claim her loot. The back-up anaesthetic she’d already deployed into Grunhild was doing its work.

‘What … what are you doing?’ he managed before all feeling was lost and speech became impossible.

Twinkles may, for half a second, have wondered to herself how everything had come to this, but there was little conscience left in her now. She had crossed a line and was on a path which would lead her, kicking and screaming, into Tinkerhell.

The diamonds meant nothing, for they were as worthless as apple pips in Fairyland. What did pay the bills, however, was teeth. Gold-capped ones in particular. It was Grunhild’s own set of these, shining in the sun when he’d smiled, which had caught Twinkles’ eye outside the bank.

The CCTV camera in the study whirred on, but no-one was watching. The guards in the control room had long since been fairy-dusted.

Twinkles rummaged in her sack for an appropriate tool. She knew that Lamulax wouldn’t care if the rent was in less than pristine condition.

And so, with there being no real need for finesse, Twinkles the tooth fairy swung down the claw hammer.

copyright (c) carterbloke 2019

Photo credits

The following photos (with formatting effects added) used under Creative Commons licence.

  • Mordred Fairy c/o *Death Essence* (flickr.com)

The Law and You

  • Disclaimer: I’m not a real lawyer. But based on this article, I don’t think you’d hire me if I were.
Some credit cards, in a pocket, near my bottom

‘SIMON CARTER! We want to offer you a credit card!’ said my new friends at cashblam.com.

My name on a lovely glossy leaflet. And for two seconds I felt special. Cashblam had personalised the leaflet, and the envelope they’d put it in, just for me. They’d made a real effort to make me feel like I was wanted, needed even, like I wasn’t just another anonymous ‘occupier.’

But then, somewhere in the distance, I heard the camel’s back breaking under the metaphorical straw. And why? Because cashblam thought I was gullible enough to buy this. They’d gone too far. They’d crossed the line with their flirting, their wooing, their insincere sweet nothings. I was just another name on a mailing list. They didn’t really mean it. How dare they?

It wasn’t just cashblam. At least eight other suitors had come calling through the post that month, trying to seduce me with their promises of riches and low APRs, like I was easy, like the word had got around that I was some kind of credit floozy.

‘If there’s one thing worse than a lawyer,’ I told my wife, Jane, ‘it’s someone who thinks he’s a lawyer – in this case, me.’

A famous statue, holding some scales, for some reason

I worked in data protection and I knew my rights. I’d stop these people sending me stuff. Oh yes.

‘I’ll force cashblam to explain where they got my details from,’ I chuntered. ‘I’ll report them, get them fined by the regulator. By the mighty beard of Odin, these contemptible rapscallions shall know my wrath.’

Jane did one of those smiles she does when she’s no idea what I’m talking about, and thinks I may need a lie down. I blustered some more.

‘They have to use my information lawfully. Damn it … I’m entitled.’

And, to be fair, under the the UK Data Protection Act 2018 and General Data Protection Regulation (GDPR), I was. Intending to write cashblam a pompous letter about this outrageous violation of my privacy, I gave up my personal details to someone I don’t know on Facebook so I could take a quiz about what kind of cat I am instead. (*1)

It came to me in a flash. Moaning about misuse of my data was too lame when a) the Russians had already stolen it from Facebook and b) I could prosecute cashblam for making me distressed or anxious instead – an offence under the UK Malicious Communications Act 1988. It’s true. If you send a person a communication which is obscene, threatening, or contains a known lie, you’re breaking the law if it upsets them. But – blast it! Cashblam hadn’t sent me anything obscene (apart from the APR quote). They hadn’t threatened me or lied to me. They were off the hook!

It was clear I couldn’t put my expert legal knowledge to any use. Meanwhile, on Twitter, I saw a man from Dundee in a big fluffy dog outfit. He was angrily waving a placard outside his local council building, protesting against a fine imposed on him for not clearing up after his Schnauzer.

‘How could I have scooped it?’ claimed the man. ‘My dog ran into the bushes and I didn’t know he’d done it.’

‘I’d leave it a few minutes if I were you’

Naturally, I made a beeline for the Dog Fouling (Scotland) Act 2003, hatching a plan to defend the fella in court. But then, as I read it, I realised to my horror that not being aware your dog has pooped is not an excuse for failing to clear it up in Scottish law. Clearly the inference is that you’re meant to tell by the goofy expression on Mr Waggly’s face, or just use telepathy. So Dundee pooch-boy was bang to rights.

Then Jane passed me the rest of the post. All the bills had come in and I didn’t want to pay up. If only there was some way I could get around this. Perhaps there was a loophole in the law! I set out about looking immediately.

This brings me to the here and now. Jane tells me she loves me but is worried I’m a badger. According to the law, specifically the UK Protection of Badgers Act 1992, I’m a nocturnal black and white stripy creature belonging to the weasel family. It’s true. And you can be one too. All you have to do is display a sign on your house which says ‘this structure or place is in current use by a badger’ and your house becomes a badger sett by law. This means you’re a badger simply by living there and aren’t liable for the bills because only people have to pay bills and not badgers.

Minky, in our loft, last week

Okay, there may be a flaw in this logic. You can’t call your house a badger sett if you’re not a badger in the first place. But I’ve got around this by abducting a real badger. And because Minky’s a real badger, Jane and I legally live in a sett and that makes us badgers too. Shut up. It does.

Trouble is, we’re only badgers while we remain in the house, so we can never leave it. Ever.

Epilogue

The police are waiting for me to come outside so they can arrest me for badger abduction. I’ve drawn the curtains so the snipers can’t get a shot and farmers can’t cull me. They’ve sent round officers disguised as Fresh and Tasty food deliverers to try to lure me out, but I’ll not fall for it. I know that as soon as I’m outside I’m legally a person again and they can do what they like with me. I’m insisting all food delivery is flung through the window apart from pizza. I’ve sawn off the bottom bit of the front door so they can slide the boxes through without me having to open up.

Jane perseveres with things but misses running water and floorboards. When I dig holes in the basement, ever deeper, she gives me one of her nervous smiles. It’s my plan to complete a network of secret underground tunnels by the end of 2025, just with my bare hands. My employers plan to sack me.

The place is chock full of badger poo and Minky’s just eaten the budgie.

I need to pay my legal bills so I’ve taken out a credit card with cashblam.

(*1) = I’m an Exotic Shorthair.

copyright (c) carterbloke 2019-2020

Photo credits

The following photos used under Creative Commons licence.

Other photo c/o pexels.com

Eye On The Road [Short Story]

  • This short story was first published in Calverton’s ‘Village Gazette’ in February 2019. 
Trevor the Cyclops

TREVOR HAD known about the eyesight test but hadn’t prepared for the unicorn’s buttocks. Trevor had begged his unicorn, Keith, to stay still, but the horn-headed blighter, highly-strung at the best of times, was having none of it. The registration number, stencilled on Keith’s gluteus maximus, swayed elusively from side to side as the wretched creature munched contentedly on the patch of magic toadstools on the grass in front of him.

‘I can’t see the number. I’m sorry,’ muttered Trevor, feebly. He quietly prayed for the earth to open up and swallow him. Literally. This had happened to his friend Andy last week, a demon from a hell dimension.

‘Are you sure, Mr Chuckles?’ asked the werewolf in the high-vis jacket. ‘I’d have expected this from a vampire bat, ‘cos they’re short-sighted, but not from something like you.’

It’s not the unicorn, thought Trevor. It’s my eyesight. The first cyclops in two millennia to be clinically diagnosed with blurred vision and I’m too humiliated to disclose it when booking my driving test.

‘I need to pass this test,’ Trevor whimpered. ‘Please. It’s important. I start my new job tomorrow at Trent Barton.’

A hairy Driving Examiner

‘If the new job involves passenger transport, Mr Chuckles,’ said the driving examiner werewolf ruefully, ‘I think we have a problem.’

The werewolf, momentarily distracted, gazed upwards, wrinkling his long, hairy snout. The full moon hung there in the night sky but morning was coming quickly. In an hour or two it would be dawn and he’d likely wake up naked in a skip with memory loss again. He needed for this shift to be over, and for a savage bloodthirsty rampage in the forest, in that order. He’d need to hurry this test along. He dipped a claw in an ink pot and began to fill out the paperwork.

‘A paper-based form?’ enquired Trevor, surprised.

‘And use the mobile IT solution with these claws?’ retorted the werewolf, unhappily. His union was still arguing with Driving Standards because they’d not considered werewolf needs in the Equality Impact Assessment for examiner tech. The griffins and wookies had similar concerns and the banshees were out on strike over it.

‘The registration number! It’s … it’s … KV99 B47!’ shrieked Trevor triumphantly. He’d put on his monocle this time. Also, Keith had temporarily stopped jiggling his tush, which was nice.

The werewolf peered across the vehicle park. A careful check of Keith’s erratically undulating fundament confirmed that Trevor had read the number correctly. The werewolf flipped through the handbook to check next steps.

Keith, a unicorn

‘A paper-based procedures manual?’ enquired Trevor, surprised.

‘And look it up online with these claws?’ retorted the werewolf, scanning the page in front of him.

Standards of vision for driving …’ said the manual.

You must be able to read with glasses or contact lenses (or with a monocle in the case of a visually-impaired cyclops) a vehicle registration number from 20 metres.

You must also meet the minimum eyesight standard for driving using both eyes together or, if you have sight in one eye only, using that eye, or, if you are a cyclops, using the only eye you have.

You must also have an adequate field of vision – your optician can tell you about this.

‘Do you have an optician?’ asked the werewolf.

‘I ate him,’ replied Trevor.

Oh. Then we might as well proceed, Mr Chuckles. Now, your vehicle. Could I ask you about emissions?’

‘Keith never eats sprouts.’

‘A manual unicorn or an automatic?’

The werewolf needed to be sure. A manual unicorn came with a gear stick between its eyes, but an automatic unicorn (otherwise known as a ‘horse’) didn’t. There were different driving test rules for automatic unicorns as any total prat could tell you.

‘It’s a manual unicorn,’ replied Trevor. ‘But it’s not mine – it’s a friend’s.’

Steve, a dragon

The cyclops extended an enormous arm and pointed a gnarled finger at a feisty looking dual-controlled dragon, battling to the death with some beardy men with knobbly sticks, at the far end of the vehicle park. The beardy men weren’t wizards, they just did Plough Plays.

‘That’s my ride over there. Steve! Come here!’

Trevor whistled for Steve. The dragon pricked up its ears obediently and, as a parting shot, incinerated a warlock called Nigel with a perfunctory belch. Steve the dragon came over to Trevor at a trot, viciously butting Keith out of the way en route. The unicorn whinnied and scarpered, leaving a large deposit on the grass.

As Steve came fully into view, the werewolf trembled in horror. Oh surely not. Not now. Not today. He’d almost made it to the end of his shift and everything. With creeping dread, and in terrifying certainty of what would happen, the werewolf scanned the disc suspended from the chain round the dragon’s neck …

Epilogue

‘I can’t start tomorrow,’ said Trevor, tearfully, down the telephone.

His new boss wasn’t impressed. Trevor could sense it.

‘It isn’t that I failed my driving test, Marjorie,’ he mumbled, choking back the tears. ‘It’s more that my test … didn’t happen.’

Marjorie the Harpy

‘And why exactly is that, Mr Chuckles?’ scowled the harpy (she was quite literally one of those).

Trevor struggled to find the words. It had all become too much to bear. In utter despair and submission, he broke down. Enormous, fat tears poured from his eye.

‘My vehicle … my vehicle ate the examiner,’ sobbed Trevor. ‘Gobbled him down in two big mouthfuls. And he was such a lovely werewolf, too. It must have been like snacking on a loo brush.’

There was silence at the other end of the telephone.

‘But … but I’ve got rid of Steve now,’ Trevor continued. ‘I’ve promised Driving Standards he’ll never devour a member of frontline operational staff again. It’s hard enough recruiting new people as it is, apparently. I feel so guilty. Like it’s all my fault. I should have known Steve would take it personally.’

‘Take what personally?’ asked Marjorie.

‘Well,’ sniffed Trevor. ‘It started when the werewolf told Steve his MOT had expired and his gear stick was crooked.’

copyright (c) carterbloke 2019

Photo credits

The following photo used under Creative Commons licence.

All other photos c/o Wikimedia Commons.

Strictly Am-Dramming

  • Inside the mysterious world of competitive amateur theatre. This article was first published in HOT, WILD & FREE magazine (don’t blame me – I didn’t name it) in September 2011. 

THE LETTER comes inviting us to Tamworth. It’s £25 to enter and feedback on each play performed at the festival will be given, in public, by the adjudicator. Hurrah!

GODA LogoIt’s amateur theatre, it’s the Tamworth Drama Festival and the adjudicator is the expert from the Guild of Drama Adjudicators (GODA) who’ll put one lucky group through to the Regional Final to compete with winners from the other local festivals. Other GODA adjudicators will determine its fate should the group then make the English Final, British Final, World Final, Solar System Final and Universe Final.

I may have made those last three rounds up. It’s competitive, this am-dram lark.

On a Budget

My village drama group says that if you can a) write your own play so you don’t have to pay royalties, b) have almost no-one in it because it’s easier to rehearse, c) not have to hire the venue you’re performing in and d) make sure your set will fit in the back of a Vauxhall Zafira (or similar car), your production’s good to go.

I’m not saying that we’re careful with money but our bank account’s more secure than a combination-lock chastity belt, in a sealed vault with 24 hour CCTV, guarded by a patrol of heavily-armed soldiers, in a castle with an iron portcullis and a moat filled with sharks, on a remote desert island protected by an impenetrable forcefield, whose top secret location is known only to an elite band of deadly ninjas. I mean it. There are ducks’ posteriors less watertight.

Some ninjas - protecting our theatre group's finances - yesterday
An elite band of deadly ninjas (protecting our theatre group’s finances) yesterday

So taking part in someone else’s event for £25 is good because you can just turn up and let other people do the admin. Everything is perfect.

But if it wasn’t for that pesky adjudicator.

One Lovely, One Drunk

We’ve been adjudicated before. Oh yes. First time, a lovely lady called Jill. Adored our show, a one-man play converted to a two-man play to meet the ‘minimum two characters’ entry criteria. She called it ‘wonderful,’ said we’d won and gave us two awards. Great for the cast. But not for the bank account because of budgeting for the next round and expenses for the trophy engraving.

It would be impolite of me to suggest that the next festival’s (non GODA-approved) adjudicator was ‘a little tiddly.’ In his defence, I’m sure his decision to punctuate his feedback on our show by careering haphazardly into furniture was made in our interests. I think he needed the toilet. I’m a father to two young kids and I know a pee-pee dance when I see one.

This bloke didn’t say anything complimentary about our show, a two-man play converted to a three-man play to meet the ‘minimum three characters’ entry criteria put in place to stop a one-man play converted to a two-man play winning all the trophies again.

But then he said we’d won anyway and gave us four awards.

Great for the cast. But not for the bank account because of budgeting for the next round and more expenses for the trophy engraving. They charge you by the letter at Timpson’s. ‘Calverton Theatre Group’ (at twenty-one letters a pop) is really costly so it’s been suggested in future that we either enter rubbish plays with no hope of success or continue to win things but change the name of our group to ‘Jeff.’

Stiff Competition

Anyway. As you move through the rounds of these scarily competitive events two things become clear – 1) the groups you’re competing against are a better standard because, like you, they’ve already won some local festivals and 2) the adjudicators are more eccentric and unpredictable. There’s an escalation in scale of what you have to face to progress. Adjudicators are like baddies in Plants vs Zombies Garden Warfare on the X-Box. More difficult to conquer the higher you go up the levels.

Sepp Blatter arriving at Batley Light Operatic's recent production of 'The Mikado'
Sepp Blatter (not an adjudicator) arriving at Batley Light Operatic’s recent production of ‘The Mikado’

On balance, everything’s above board (unless you’re mates with the adjudicator in which case the brazen FIFA-esque favouritism can fair take your breath away). But in the end, for all their alleged expertise, adjudicators are fallible human beings judging talent shows, hard-wired like the rest of us to either like something or not. And when you like something, you’re more likely to say positive things about it at the expense of something else you don’t like which may actually have more artistic merit.

The Regional Final

I need to accept that adjudicators either love the plays I write or they hate them. In their eyes I am theatrical Marmite. And when an adjudicator doesn’t like you / is jealous of you / has already decided another group’s going to win anyway so big cheesy cobblers to you, all you can do is try to take the moral high ground. Strangely, the greatest praise given to one of my shows by any adjudicator took the form of two pieces of criticism at a regional final.

Firstly, the basic staging of our show (one chair, no actual set) could, the adjudicator suggested, have been improved by a chorus of heaven’s angels floating around the stage at the show’s opening, ‘as intended by the writer in the script.’ Given that I was the writer of the script and now intended quite differently due to my production budget being non-existent seemed to have escaped him.

Moody production shot of me at Regional Final (illuminated crotch not pictured)
Moody production shot of me at Regional Final (illuminated crotch area not pictured)

Secondly, we’d botched the final lighting cue. Due to a misdirected spotlight the last thing the audience saw as curtains closed was my illuminated crotch area. A fair point from the adjudicator on this one, because there’s nothing worse than having a show ruined by the final tableau being the actor’s particulars lit up like a beacon. Maybe if we’d brought in the chorus of heaven’s angels right at the end, it would have distracted the adjudicator. I suppose we’ll never know.

The adjudicator said nothing about the writing, or the acting, or that the audience had found the piece so powerful many were moved to tears. Competitive am-dram it seems (and this is its biggest flaw) takes no account of the impact of a play on an audience as a measure of its quality because – heh – what does an audience know?

So in summary. Two picky comments from adjudicator = nothing else to find fault with = resounding moral victory = no trophies = no engraving costs.

Rules is Rules / Keeping it Real

If this isn’t bonkers enough, read the competition rules. Each group has thirty minutes to put up their set and you’re timed with a stop watch. I hold the record for shortest rig at seven seconds, which was how long it took me to pick up a single chair and place it on the stage. I said timing me was pointless. The stage crew timed me anyway. Afterwards I said could they time me again, because maybe I could get the chair in place in three seconds now I’d warmed up a bit. They told me I was taking the Michael.

So why even take part at all, you may ask? Because it’s absolutely blooming brilliant, that’s why. These festivals are quirky, antiquated and arbitrary and I love them. Also, did I mention it’s dead cheap to take part?

If you’re in a group that takes this sort of thing seriously, please accept my apologies. I don’t mean to poke fun unfairly. It isn’t that we lack respect for this wonderful British thespian institution. It’s just that our group has different priorities. We just want to have fun and entertain some people, and that’s really about it. We’re quite happy, thank you, to turn up at an arts centre, do the best show we can, blag a couple of trophies, drive off with our set in the boot, pitch up at a camp site and drink whisky until sunrise.

Richard Burton (as 'Tommy Tumble' in the 1968 Felixstowe Players production of 'Crikey, Vicar!')
Richard Burton (as Mr Tommy Thump in the 1968 Felixstowe Players’ production of ‘Crikey, Vicar!’)

Our acting idols? Oliver Reed and Richard Burton. They’re still with us, you know. In spirit.

And they were certainly with that adjudicator I referred to earlier. You know, the ‘tiddly’ one.

Maybe we’ll see him at Tamworth.

Disclaimer: the author’s suggestion that a GODA-approved adjudicator would be biased – and therefore not judge all plays with complete objectivity – is not intended as a criticism of all GODA-approved adjudicators.

It is, however, based on a real example where it was blindingly obvious to a room full of people – and each of the drama groups taking part – that this is exactly what the adjudicator was.

I’m not bitter.

Please don’t take away any of our nine awards :-)

copyright (c) carterbloke 2011-2019

Photo credits

The following photos all used under Creative Commons licence.

Postscript

  • Two more awards at Tamworth. Boom!